Stereographymusic.com

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Stereography|Hamilton|Toronto|Rock|Experimental|Music|Band|Canada

www.stereographymusic.com/

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Country:
Canada
City:
Chatham
Registrar:
Tucows Domains Inc.
Latitude:
42.41
Longitude:
-82.19
IP address:
69.28.199.130
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1000101000111001100011110000010
IP Octal address:
10507143602
IP Hexadecimal address:
451cc782

Context analysis of stereographymusic.com

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Number of words on this page:
1
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1
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1
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Domain name length:
21
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Domain name with Hindi letters:
स ट ए र ए ओ ग र अ प (h) ग़ म उ स इ च . च ओ म
Domain name with Hebrew letters:
שׂ ת (e) ר (e) (ο) ג ר (a) פּ ה י מ (u) שׂ (i) ק(c) . ק(c) (ο) מ
Domain name with Cyrillic letters:
с т e р e о г р a п х y м у с и ц . ц о м
Domain name with Arabic letters:
ص ت (e) ر (e) (o) غ ر ا (p) ح ي م (u) ص (i) (c) . (c) (o) م
Domain name with Greek letters:
σ τ ε ρ ε ο γ ρ α π (h) y μ υ σ ι χ . χ ο μ
Domain name with Chinese letters:
艾丝 提 伊 艾儿 伊 哦 吉 艾儿 诶 屁 艾尺 吾艾 艾马 伊吾 艾丝 艾 西 . 西 哦 艾马
Domain without Consonants:
strgrphymsc.cm
Domain without Vowels:
eeoayui.o
Alphabet positions:
s19 t20 e5 r18 e5 o15 g7 r18 a1 p16 h8 y25 m13 u21 s19 i9 c3 . c3 o15 m13
Domain name pattern:
V: Vowel, C: Consonant, N: Number
C C V C V V C C V C C C C V C V C . C V C

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Stereography: The Band Stereography formed in 2012 to begin recording and performing songs that they have written over the 10 years that they have been jamming together. The re- sult of their creative process is an eclectic blend of styles. Stereography, is ”the depiction or representation of three-dimensional things by projection onto a two- dimensional surface, e.g. in cartography” [Oxford En- glish Dictionary]. Stereography has connections with cartography. It is what we do when we represent our three dimensional planet Earth with a two dimensional map of it. Sound exists in three spatial dimensions, until we close our eyes. When we do that, we flatten it to some- thing that we perceive as having two spatial dimen- sions: left-to-right panning (stereo position), and dis- tance (amount and type of reverb). It gets flattened down onto the plane defined by your ears and eyes. In this way, our brain performs a stereographic projection when it perceives the sound that exists in the three di- mensions of a room. In 2008, Martin’s physics education gave him a grow- ing interest in the mathematics of sound and its synthe- sis. Since then, he has incorporated an experimental- electronic side to his sound. He has designed and built synthesizers, both hardware- and software-based, and now uses sounds from these in Stereography’s live act to bring experimental aspects of the studio to the stage. In 2012, Stereography formed. The songs, per- formed by Stereography, are originals that have been written over the years (since 2005) with Martin Gerber and others (often including Edelmann, Filice, and Hen- derson, of Stereography). As the band grows, Stereog- raphy continues to write new music together, as a band, and to incorporate this evolving style into their live act. Martin’s musical influences have varied over the years. Growing up with an appreciation for classi- cal music, his personal tastes gravitated towards punk rock (of the Fat Wreck Chords and Epitaph style) and hip-hop (Wu-Tang, Tribe Called Quest, Beastie Boys, Black Star, Dr. Octagon, Danger Mouse and Jem- ini, etc.). Following the high-school years, Martin lis- tened mostly to punk/rock-influenced (Pixies, Modest Mouse, The Clash, etc.) and hip-hop/trip-hop/electro- influenced (The Beta Band, Portishead, Massive At- tack, Band of Bees, Boards of Canada, The Notwist, etc.) type bands. Since 2007, Martin has become interested in how musical styles emerge and evolve, and began exploring jazz and its history. Listening to music from the swing era, through bebop, hardbop, and to free jazz, Martin has gained inspiration in terms of melodic, harmonic, timbral, and rhythmic possibilities. Following jazz, Martin became interested in blues music, and was influenced by John Lee Hooker and Ray Charles, among others. The blues naturally led into rock music. The Beatles, with their eclectic range of styles over the span of their career, have been an in- fluence. The energy and attitude of the Rolling Stones is another inspiration. The story telling of Bob Dy- lan has pushed Martin to create imagery with words. Bob Marley has influenced Martin’s vocal style, as well as inspiring his outlook on music and life. The break- ing down of musical boundaries by The Kinks during their career has inspired Martin to keep searching for new musical styles and techniques to draw into studio- recording, songwriting and performance. Martin’s list of influences continues to grow as he works with Stereography, other bands, the venues, and the people who come to see the shows. Band Members • Martin Gerber (Lead Vocals, Guitar, Keys) • Andrew Edelmann (Drums) • Ryan Henderson (Bass) • Daniel Filice (Vocals, Keys, Synths, Harmonica) Bio: Martin Gerber Martin Gerber was classically trained from a young age in violin (Suzuki) and piano (Conservatory). He picked up tenor sax in grade 7, and guitar in grade 9. In 2001, Martin began producing hip-hop beats (using Fruity Loops, at the time), which are the first original recordings that he has produced. In 2005, Martin began writing original songs with vocals over acoustic guitar and got set up with a basic recording rig with one microphone. At the time, Mar- tin was determined to use only acoustic sounds rather than synthesizers and samplers, leading him to learn a variety of instruments. In 2008, Martin’s physics education gave him a grow- ing interest in the mathematics of sound and its synthe- sis. Since then, he has incorporated an experimental- electronic side to his sound. He has designed and built synthesizers, both hardware- and software-based, and now uses sounds from these in Stereography’s live act to bring experimental aspects of the studio to the stage. In 2012, Stereography formed. The songs, per- formed by Stereography, are originals that have been written over the years (since 2005) with Martin Gerber and others (often including Edelmann, Filice, and Hen- derson, of Stereography). As the band grows, Stereog- raphy continues to write new music together, as a band, and to incorporate this evolving style into their live act. Martin’s musical influences have varied over the years. Growing up with an appreciation for classi- cal music, his personal tastes gravitated towards punk rock (of the Fat Wreck Chords and Epitaph style) and hip-hop (Wu-Tang, Tribe Called Quest, Beastie Boys, Black Star, Dr. Octagon, Danger Mouse and Jem- ini, etc.). Following the high-school years, Martin lis- tened mostly to punk/rock-influenced (Pixies, Modest Mouse, The Clash, etc.) and hip-hop/trip-hop/electro- influenced (The Beta Band, Portishead, Massive At- tack, Band of Bees, Boards of Canada, The Notwist, etc.) type bands. Since 2007, Martin has become interested in how musical styles emerge and evolve, and began exploring jazz and its history. Listening to music from the swing era, through bebop, hardbop, and to free jazz, Martin has gained inspiration in terms of melodic, harmonic, timbral, and rhythmic possibilities. Following jazz, Martin became interested in blues music, and was influenced by John Lee Hooker and Ray Charles, among others. The blues naturally led into rock music. The Beatles, with their eclectic range of styles over the span of their career, have been an in- fluence. The energy and attitude of the Rolling Stones is another inspiration. The story telling of Bob Dy- lan has pushed Martin to create imagery with words. Bob Marley has influenced Martin’s vocal style, as well as inspiring his outlook on music and life. The break- ing down of musical boundaries by The Kinks during their career has inspired Martin to keep searching for new musical styles and techniques to draw into studio- recording, songwriting and performance. Martin’s list of influences continues to grow as he works with Stereography, other bands, the venues, and the people who come to see the shows.

External links in stereographymusic.com

  • https://www.soundcloud.com/stereography
  • https://www.twitter.com/stereography_

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